Salt Soaked at ICA (Institute of Contemporary Art)
Chavi Bansal’s Vimoksha Dance Company presents an evening of three powerful interdisciplinary works at ICA in Boston. Touched by Water, with original music by Heiko Dijker (Netherlands) and Ustad Sabir Khan (India), explores gender disparity in India. Salt Soaked, with an original score by Inga Chinilina, is a visceral choreographic portrayal of immigration stories that weaves together audience-contributed memories.
Between The Waves at Roulette
PROGRAM
Inga Chinilina – Between The Waves
Weiyang Ding – Occasional Ecstasy
Whitney E. George – BLACK HOLE
Jack Langdon – The Requested Chords
Damian Norfleet – Tjehenet
Marcus Rock – Serpentine
Adrienne Schoenfeld – Ruminate
Sami Seif – Ya Omm Allah
Matthew Shreve – Helix Nebula
Huan Sun – Melting Echo, Collapsing Roar
Alissa Voth – Desire Paths
Nathan Wetsell — Mars fere
This performance is funded in part by The New York State Council on the Arts (NYSCA), NYC Cultural Affairs, The Alice M. Ditson Fund, The Aaron Copland Fund for Music, The Amphion Foundation, AYCO Charitable Foundation, Pacific Harmony Foundation, Thendara Foundation
Tickets and more info: https://www.eventbrite.com/e/open-mic-vol-3-tickets-1985939171522?aff=oddtdtcreator&mc_cid=92a64cba6d&mc_eid=c911442ea6
Contemporary cello solos and duos performed by Stephen Marotto and Peter Ko
An evening of contemporary solo and duo cello music from many diverse musical styles and eras. This program will feature solo music by Younghi Paag-Pahn, Karola Obermüller, Liza Lim, and Inga Chinilina performed by cellists Stephen Marotto and Peter Ko. In addition to solo works, there will be two rarely heard cello duets by Morton Feldman in celebration of his 100th birthday.
Learning To Love America at UWSP
Wilson Poffenberger performs Learning to Love America at the UWSP Faculty Saxophone Recital—the premiere performance of the saxophone version of this work.
in den finsteren Zeiten
Tony Arnold and Collage New Music will perform in den finsteren Zeiten at Longy School of Music
Art Omi: Music
Events and dates TBD
musicians: Samantha Kochis, Tim Daemen, Noa Fort, Matthew Ryals, Niloufar Shiri, Guillermo Leonardini, Abby Swidler, Kryzsztof Żelichowski, Desiré Graham, Jimmy Lin, Troy Rogers, Inga Chinilina, Fan-Qi Wu, Jonas Engal, Krissy Bergmark
Summoning a Resonance at Darmstadt Ferienkurse
Summoning a Resonance for Bass Clarinet, Percussion, and spatial audio
Performers:
Tomohiro Iino - Percussion
Anna von Arx- Bass Clarinet
Utkucan Eken - Sound Engineer
Learning to Love America at MISE-EN
Date and time TBD
Learning to Love America is a reflection on a poem by Shirley Geok-lin Lim. When reading the poem, I was thinking, what does it mean to learn to love a country? In this piece, I reflect on imageries that Shirley Lim describes in her poem, and I translate them into sounds.
Shock Workers at MATA
The title "Shock Workers" refers to the early 20th-century movement of highly productive laborers who, driven by ideological motives, significantly increased their daily output. This composition reflects on the profound impact of industrialization on humanity and the resulting relentless labor. In the surge of AI, machines not only challenge mechanical labor but also intellectual and creative pursuits. As machines compel us to increase our workload, are they aids or competitors?
Soundwalk at Boston Public Garden
Join me for a Soundwalk which will be a part of ICMC 2025 in Boston. This sound walk is created in collaboration with Matthew Azevedo
Tender Circuit - Premiere with Russell Greenberg
Tender Circuit is about the relationship between human and machine—not as opposites, but as collaborators—recognizing that behind every machine is a human creator. The machine, as a human-made work of art, carries within it a fragment of its maker’s personality. Yet, alongside this innate human legacy, it also introduces a new standard of inhumane productivity. Even if the human cannot match the machine’s speed and precision, it is the living spirit—the capacity for the unprescribed and the unexpected—that allows the human to transcend the machine. And in those moments, the machine, with all its precision and beauty, steps aside.
Shock Workers
RE:duo will perform Shock Workers as part of their Providence concert.
RE:duo (“Reply Duo”) engages audiences with innovative programming that blurs the lines between artistic disciplines. Comprised of saxophonist, Wilson Poffenberger, and violist, Elsie Bae Han, the duo will present a program showcasing the multidisciplinary work that RE:duo has curated over the years through their collaboration with emerging composers. This program includes choreography, theater, free improvisation, machines, and much more!
Inside The Bell at Residual Noise
Featuring works by Inga Chinilina, Yvette Janine Jackson with Jessica Shand, Bonnie Jones, James May, Mem1 (Mark and Laura Cetillia), and Butch Rovan
tickets:
https://events.brown.edu/bai/event/306378-residual-noise-concert
Excelsis Percussion performs Pinned Butterflies
Pinned Butterflies will be performed by Excelsis Quartet at The 2025 Women Composers Festival of Hartford.
Music As an Act of Translation - Artist Talk at The University of Canterbury
Join composer Inga Chinilnina for a conversation on whether music is a universal language and how it serves as a tool for sharing stories, sonic experiences, and emotions. In her talk, Inga will explore music as an act of translation—what is preserved, lost, and transformed in the process. We will examine how cultural conventions and musical traditions shape the way composers think and communicate through music. Through examples from her recent works, Inga will demonstrate how music conveys feelings, sonic memories, and personal experiences.
Where Voices Meet and Part
Premiere of a new work for voice, 32 ocarinas, and electronics commissioned by Rose Hegele.
Premiere of Last Frost for String Quartet
Premier of a new work written for Telegraph Quartet
"Seeing you" for two bass clarinets at Low Clarinet Festival in Glendale, AZ
Join us for “Seeing You” at this year’s Low Clarinet Festival. The concert will showcase a variety of low clarinets, including the alto clarinet, basset horn, bass clarinet, contra-alto, and contrabass clarinets.
For more details about the festival and the full lineup, visit the link. Don’t miss this opportunity to explore low clarinet music!
https://clarinet.org/event/low-clarinet-festival-2025/
Weird From Iceland at UROBOROS FESTIVAL
Uroboros is an annual festival for artistic and design research inquiries into more-than-human ecologies and relations. Attending to ‘more-than-human’ as involving both multispecies nature and algorithmic agencies, Uroboros provides a co-creative space for practice-based investigations of contemporary social, technological, and environmental conditions. As part of the Uroboros 2024 theme, Nesting Across Difference, and growing from the Alter Eco/s Loop, this nest will showcase a selection of films from the International Ecoperformance Film Festival (IEFF) including Weird from Iceland with music by Inga Chinilina.
Quiet Light for Orchestra at The Lindemann Performing Arts Center
Premiere of a new orchestral work commissioned but the BUO at the The Lindemann Performing Arts Center
The Shoulders Of Giants Melt Under My Feet
Join us for an evening of contemporary music at The Juilliard School, featuring the opening performance of The Shoulders of Giants Melt Under My Feet, performed by John Popham. The program also includes works by Dorothy Rudd Moore, Euna Joh, Adeliia Faizullina, and Che Buford.
Pagan Peal for Orchestra
"Pagan Peal" is an orchestral work that seamlessly blends pagan traditions with the festive bell-ringing practices of Eastern Europe. The piece unfolds as a vivid tapestry of enchanting imagery and mythological symbols, bringing sense of magical wonder with mythical birds with female faces— Sirin, Alkonost, and Gamayun. The harmonic language of "Pagan Peal" reflects the sound of bells, which have been recorded, analyzed, and transcribed into the orchestral texture. At its climax, the piece evokes the awakening of Mother Moist Earth, a central figure in Slavic mythology who represents the earth as a nurturing force. This reflects the ancient reverence for nature’s cycles and deities associated with fertility and renewal. By intertwining mythical elements and traditional bell sounds, "Pagan Peal" transports audiences into a realm where rituals and magical creatures come to life.
BMOP at Lindemann Hall.
"time slips through our fingers like sand" at Prisms Festival
In its 14th year, ASU’s PRISMS Festival continues its mission of promoting contemporary music to a wider audience. This year’s festival presents several world and Arizona premieres, as well as the winner of our 2024 call for scores and music by ASU faculty and students. The program includes a wide variety of genres and performance practices, ranging from acousmatic works to chamber music, from electronic improvisation to works that incorporate performance art.
time slips through our fingers like sand is the winner of the 2024 Prisms Festival and will be performed by the Contemporary Percussion Ensemble
Weird From Iceland - Quo Vadis Nomen Nescio
Showing of Weird From Iceland - Quo Vadis Nomen Nescio at Sesc Pompeia (São Paulo, Brasil) as a part of the special edition of the International Ecoperformance Film Festival
Weird From Iceland is a film from Weird series made in a collaboration with Drawing NN where Julie aka NN, Nomen Nescio, No Name or just Not Neurotypical moves still, autistically, as Guðríður Þorbjarnardótti, before she traveled the sea eight times, and became Víðförla.
After having been Weird Drawn At Land at the shore of Southern Norway, Weird works the bridge into all possible/impossible times of the New World before she re-occurs in Iceland and the commotion of people and land commences again: We do not know the name of where you are going, Weird from Iceland.
Film description is written by the Professor of The Oslo School of Architecture and Design, architect Rolf Gerstlauer
Composers Conference
Join the internationally acclaimed musicians of the Composers Conference Ensemble led by the Conference Music Director Vimbayi Kaziboni and New Music Conductor Fellow Christina Morris.
Featuring Four World Premieres by 2024 Composer Fromm Fellows Composer Fellows Inga Chinilina, Omer Barash, Marguerite Brown, and Riccardo Perugini.
Elide Sulsenti at Vadstena Akademien
Elide Sulsenti presents a concert of works for solo cello at Vadstena Akademien, Strå kyrka, Vadstena, Sweden. The program features The Shoulders of The Giants Melt Under My Feet alongside works by Gaia Aloisi, Román González Escalera, Matteo Rigotti, and Jaehyuck Choi.
Sky Every Day in Dublin at ClarinetFest® 2024
ClarinetFest® 2024 is set to be held in Dublin, Ireland, from July 31 to August 4.
On the festival's opening day, Amy Zuidema will perform my solo clarinet piece, Sky Every Day, marking my debut performance in Ireland.